Like angels of doom, Pariah’s influence brings things back down to earth. They’re perhaps the most Glasgwegian-sounding of the 3 acts, but there’s a twist - ambient guitars and chiming keyboards giving way to towering walls of synthesized noise. And then the vocals kick in - choral, reverberant, like we’re present at some bizarre religious service. I can feel the hairs rise on the back of my neck and realise that for the 3rd time in an afternoon we’re experiencing The Future of Music. The Fly, Oct. 2001